A man wakes up in an unknown landscape, injured and alone.
He used to live in a place called California, but how did he wind up here with a head wound and a bottle of pills in his pocket?
He navigates his surroundings, one rough shape at a time. Here lies a pipe, there a reed that could be carved into a weapon, beyond a city he once lived in.
He could swear his daughter’s name began with a J, but what was it, exactly?
Then he encounters an old man, a crow, and a boy—and realizes that nothing is what he thought it was, neither the present nor the past.
He can’t even recall the features of his own face, and wonders: who am I?
Harrowing and haunting but also humorous in the face of the unfathomable, David Yoon’s City of Orange is a novel about reassembling the things that make us who we are, and finding the way home again.
David Yoon is the New York Times bestselling author of Frankly in Love, Super Fake Love Song, and for adult readers, Version Zero and City of Orange. He’s a William C. Morris Award finalist and an Asian/Pacific American Award for Young Adult Literature Honor book recipient. He's co-publisher of Joy Revolution, a Random House young adult imprint dedicated to love stories starring people of color. He's also co-founder of Yooniverse Media, which currently has a first look deal with Anonymous Content for film/TV development. David grew up in Orange County, California, and now lives in Los Angeles with his wife, novelist Nicola Yoon, and their daughter.
"Occasionally tragic, persistently funny, City of Orange is a brilliantly constructed meditation on love, memory, and the end of the world."
—John Cho, Actor, Author of Troublemaker
"Very few postapocalyptic novels have the literary qualities of this one. City of Orange belongs in a very narrow category, alongside Emily St. John’s Station Eleven, Richard Matheson’s I Am Legend and Cormac McCarthy’s The Road. Like all the best authors in the genre, David Yoon is willing to ask what ‘the End of the World’ really means — and provide the reader with a thoughtful, heartfelt answer."
"Yoon finds the tension in the smallest of acts—like heating up a can of soup—and builds suspense by teasing out information about the world, forcing readers to question everything. Fans of The Martian will enjoy this new take on the struggle to survive in an unfamiliar land."
"Much more compelling and heartfelt than the end of the world could ever be."
"An ambitious novel that takes some big risks...they pay off dramatically in the end."
"In this new novel, a nameless man wakes up in an apocalyptic landscape with no idea how he got there. Suffice to say, nothing is as it seems in this thought-provoking read."
"Post-apocalyptic but with a sense of humor."
"David Yoon has written a tale of love and survival, perfect for the untethered nature of our times."
—The Mystery of Writing
"Whether it’s discovering shelter, finding food or simply managing in brutal conditions, the ever-challenging backdrop of City of Orange makes the determining of reality a mystery readers will want to solve alongside the main character. That’s this novel’s biggest feat: By giving just enough vivid detail but keeping key elements ambiguous, a reader can easily morph into the main character and become a part of this world."
"City of Orange is a fast-paced read, and Yoon’s ability to lighten the mood keeps it from becoming as dread-inducing as some end-of-the-world novels can be."
One of Crime Reads' "10 Most Captivating Apocalypse Novels"
"A thoughtful apocalyptic story with a slight twist."
"Subtle and stark twists push an often unhurried narrative more sharply into focus so that, by its conclusion, readers realize that the end of life as we know it might just be the end of life as we thought we knew it."
"City of Orange also raises questions about time and money and the stuff humans accumulate, while sharpening the focus on what really matters: family, love and enduring friendships. Despite its dark premise, City of Orange insists on hope and continuity in the face of tragedy."
—Shelf Awareness (starred)
"Yoon’s care for his character is evident in each word. Motions as mundane as opening up a tin can, or running out to relieve oneself can become as intense as a knife fight."